Swing, Shuffle and Groove
Swing is usually described as something you either feel or you do not. It is actually a ratio, and you can move it with a slider. Push it from zero upward here and find the exact point where a straight groove starts to skip.
- the in-between beat
- 50 to 67 percent
- felt, and measurable
which styles use it
- Jazz
- Hip-hop
- Blues
- Neo-soul
In short
In a straight groove the two eighth notes inside a beat are equal. In a swung groove the first one is longer and the second arrives late. At the extreme the ratio approaches two to one, which is called shuffle and sounds like a triplet with the middle note missing. Most real music sits somewhere between the two, and the exact amount is a stylistic choice rather than a setting. Measurements of jazz drummers show something the textbooks usually leave out: the ratio moves with the tempo. At slow tempos it runs up to roughly three and a half to one, and at fast tempos it flattens toward one to one, which is to say practically straight. So swing is not a fixed triplet feel that you either apply or do not.
Swing is the difference between a pattern and a performance. Two drummers playing identical notes can sound nothing alike, and this is most of the reason why.
How to count it
- Count the triplet underneath
One and a, two and a. Swing places the second eighth on the last part of that triplet rather than halfway.
- Listen to the hi-hat
It is usually the instrument carrying the swing, and the easiest one to hear it in.
- Do not assume full shuffle
Hip-hop and neo-soul often swing by a few percent, which is enough to change the feel and far too little to count.
Where you run into this
- In jazz, where swing is assumed unless the chart says otherwise.
- In hip-hop and neo-soul, where a small amount of swing is the entire production signature.
- In house and techno, where a touch of swing separates a groove from a drum machine demo.
Our own examples
One groove at zero percent swing, then at twenty, then at forty, then at full shuffle. Same notes throughout, so the only variable is where the offbeats land.
Keep going
Everything in rhythm
- Swing, Shuffle and Groove
- Syncopation and the Offbeat
- Polyrhythm and Polymeter
- Metric Modulation