akousia

Non-Chord Tones

Play only the notes that are in the chord and your melody is correct and lifeless: a written-out arpeggio. Everything that gives a line movement and humanity sits in the notes that do not belong. Three questions tell you which kind you are looking at.

  • 3 questions
  • 7 types
  • nothing to memorise

Where you run into this

  • Classical
  • Jazz
  • Pop
  • Choral music
Hear it plain, then decoratedmajor
C4C5

In short

Before learning any names, know the three questions. How do you get in: by step, by leap, or not at all because the note was already sounding? How do you get out: by step or by leap, in the same direction or the opposite one? And where does it fall: on a strong beat or a weak one? Almost the entire classification is a filling-in exercise on that grid, which means you can derive every type instead of memorising it.

The feeling

Once you hear the difference, you cannot unhear it. A melody stripped to chord tones sounds like an exercise; the same melody with its passing notes and suspensions restored sounds like music. The notes that do not belong are doing the emotional work.

How it works

A passing tone steps in and steps out in the same direction, filling the gap between two chord tones, and it is by far the most common. A neighbour tone steps away and comes straight back. A suspension holds a note from the previous chord into the next one, where it no longer fits, and then resolves down by step, which is where most of the feeling in a cadence lives. An appoggiatura leaps in and resolves by step, and it is the sharpest of the lot.

Where you run into this

  • A vocal line that lands slightly wrong on the downbeat and resolves half a beat later
  • A piano figure filling the space between two chord tones
  • A suspension in a hymn, which is the oldest way to make a chord ache

Our own examples

The same four-bar melody three times: chord tones only, with passing and neighbour notes added, and with suspensions on every strong beat. Nothing but the decoration changes.

Keep going

Everything in melody and form

Open melody and form